Booking info
"In Cecilia, it is Elizabeth Mondragon, playing Charito—Cecilia’s mother—in two brief scenes who brings the acting chops. She is despair personified..." - DCTheaterScene.com
(Zarzuela Cubana - The In Series)
"Elizabeth Mondragon’s even, warm, and shimmering mezzo stood out... Her “Habanera” put the show to a solid start, and her “Una voce poca fa” was clear and riveting. Mondragon’s rendition of “If I Loved You” was startlingly beautiful...this Rodgers and Hammerstein classic is deceptively hard and Mondragon performed it effortlessly." - DCTheaterScene.com
Opera
Oratorio and Concert
Opera on Tap - DC Metro
1101 Kenyon St, NW
Washington, DC
VERDI'S REQUIEM | SHAKESPEARE'S KING LEAR
November 18-December 10, 2023
Source Theater
1835 14th St NW
Washington, DC 20009
December 15-16, 2023
Baltimore Theater Project
45 W Preston St
Baltimore, MD 21201
Las Misticas de Mexico
March 2024
Dupont Underground, DC
Mexican Cultural Institute, DC
Baltimore
THE RETURN OF ULYSSES
SONG OF MY FATHER
Monteverdi | Lau
May-June, 2024
Source Theater
1835 14th St NW
Washington, DC 20009
Baltimore Theater Project
45 W Preston St
Baltimore, MD 21201
ZAVALA-ZAVALA
June 21-23, 2024
GALA Hispanic Theatre
3333 14th St NW
Washington, DC 20010
"Leading the cast (Dido and Aeneas) was mezzo-soprano Elizabeth Mondragon...she found the subtlety of the character and played it with an acuteness that made one watch her every move. Her suicide...was intriguing and heartbreaking..." - BlogCritics.org
Contact Elizabeth here for availability and scheduling information.
INvision: The Logan Opera House without Walls
Chronicle of a Life and Love
Robert Schumann’s song-cycle Frauenliebe und Leben and reflections by essayist Shalom Auslander
Featuring the songs of Schoenberg, Debussy, Sisco, Grever and more
with pianist, Carla Hübner
Guest artist: Joe Haughton
The Pleiades Project 24 - Season 5
Nina by Giovanni Pergolesi; arr. Tamar Green
Elizabeth Mondragon and Frank Conlon
in a Friday Afternoon Cocktail Concert
"The star of the night, though, was without a doubt mezzo-soprano Elizabeth Mondragon. Her performance of Aaron Copland’s 12 Poems of Emily Dickinson was a triumph, as she glided her way through the iconic poetry with strength, nuance, and a powerful wit that many others would forgo. Her performance made the piece as charming as it is beautiful, a feat that adds so much dimension to poems that have the capability of growing stagnant in their sacredness." - DC Theater Scene.com (The ABC's of American Art Song - The In Series)
"Elizabeth Mondragon was a captivating Carmen...never vamped or overacted. Like a cat stalking a bird, this Carmen came in for the kill. Mondragon’s love scenes...were sung with tenderness and her confrontation with Don Jose preceding her death was gut wrenching. This was a performance to treasure." - Brooklyn Daily Eagle (Carmen - Regina Opera)